Saphah for Mortals (Harry O. Hilton)

- - SAPHAH FOR MORTALS -  - S AP H AH FOR MORTALS  - SAPHAH FOR MORTALS - TABLE OF CONTENTS Title I Preface II Introduction I II Tablet of Se'Moin Table of Biene IV Radical words: V VI Chine, Algonquin, Iz VII Tablet of Kii V II I Tablet of Emp'agatu Tablet of Qadeth Iz IX Nameless I ' h i n tablet X T a b l e t o f A h ' i o d ' g a u or Ah ' i o d ' zan XI XII Numeration XIII Tablet of Zerl XIV Tablet of H y ' y i ( H o ' e d ) Tablet of Ancient Egypt None Tablet of Port-Pan algonquin Tablet of fonece Bible of the Mound-Builders Miscellaneous Material: M a t e r i a l Y e t to Be D e c i f e r e d . 14 T a b l e t s , Drawings or Language b i t s .  - CUNCEPTS OF HEAVEN Mortal p o k i n g through the canopy o v e r Earth on which was mounted the S u n , Moon and S t a r s . Heaven i s c l e a r l y v i s i b l e on the other s i d e .  - SAPHAH FOR MORTALS - Preface The various p a r t s of this e f f o r t have come together In a random manner and as the mood to work on the book o f Saphah was s t r o n ge s t . And since many of the Tablets and other m a t e r i a l are related by a com mon heritage, it may be necessary at some future date to c omp l e t e l y reorganize the subdivisions, bringing allied material closer together and in a more logical sequence. In this work I am only one of many who have attempted to organize the material contained in the book of Saphah, and I lay no personal claim to the m a t e r i a l contained herein. I t is intended for the free use of anyone so i n c l i n e d , a n d others are encouraged to r e do , expand or use it as a framework upon which to b u i l d , or upon which to devise a new format. I am openly stating that others may do with is as they wish, without fear of criticism from me. The meaning of many of the symbols which bear no descriptions are now known to m e , but I have pressed ahead w i t h new subdivisions rather than lingering and correcting those already presented, because I knew that even more would be revealed to me by doing s o . This means that I , or someone e l s e , w i l l have to go back and f i l l in the gaps as time and additional information p e r m i t s . A l s o. much cross indexing must be done, referring one to the various subdivisions where a symbol has similar ities on other T a b l e t s . However, there are some very real problems, and as I shall mention again, one often gets the impression that not all of the supporting in formation came across the s p i r i t g a p , or came across g a r b l e d , was del eted to save s p a c e , or was d i s t o r t e d in the process of t y p e s e t t i n g . As an example; there are t a b l e t s that refer one back to the Tablet o f S e ' moin for a meaning, and yet is is i m p o s s i b l e to find anything in S e ' mo i n that w i l l a s s i s t a researcher. One T a b l e t also refers to as many as four d i f f e r e n t symbols from the Tablet of S e ' m o i n in order to a r r i v e at the meaning of a single new s y mb o l , a n d none of them seem to apply or to reveal any p o s s i b l e . m e a n i n g . In fact they cause c o n f l i c t . The p r i n t i n g process and the crudeness o f many symbols is a l s o a barrier, and some have revealed themselves to me only a f t e r a separat ion or r e s t . Upon r e t u r n i n g to them with my senses f r e s h , I suddenly saw the s i m i l a r i t y w i t h other symbols in other T a b l e t s . The original difficulty b e i n g caused by a s l i gh t l y different s l a n t to a s y mb o l , a bit too much ink on the pen o f the a r t i s t or one symbol flowing into another by the p r i n t i n g p r o c e s s . Imagination is important! Another -l I grave problem is the number of generations in the printing process. I suspect that the o r i g i n a l 1882 Edition would probably reveal many of the intricate symbols in s t a r t l i n g d e t a i l s as compared with the Palmer 1882 reproduction, the Wing Anderson blue cover editions an the reduced size English issue of the 1891 E d i t i o n . I am attempting to say that an original 1882 E d i t i o n would be far the best instru ment to use. But even it could not r i v a l the original work sheets from which it was made, each subsequent copy/printing process causin, greater degradation of the images. > And so for those who have the inclination to work on t h i s proj ec t , a hand on your shoulder from the other side w i l l prove essent i a l . Rest assured it w i l l be there i f you become seriously involve, 2/..� ct, Harry b . Hilton Shalimar, Florida February 1984  - SAPHAH FOR MORTALS - Introduction Having always considered m y s e l f t o t a l l y incompetent in learn pnf foreign languages, it is curious that I should find myself in volved w i t h the Book o f Saphah. In f a c t , I now find m y s e l f some hat driven to attempt to make some sense out of what I have long considered as an almost senseless p r e s e n t a t i o n . My sudden unexpected interest is i n e x p l i c a b l e and i t was only a f t e r answering the command and making a start at it that I began to appreciate the wealth of in formation that had been jammed into this book in the most terse and abbreviated form in order to bring it into the hands of m o r t a l s . T h a t task was accomplished and it is now up to us to reorganize the material and place it in usable form. I imagine that o th e r s , like m y s e l f , believe that i t a l l makes perfect sense to those who have a natural talent for languages, ancient r i t u a l s and c u l t u r e s . But having gotten i n v o l v e d , I now doubt this as there are so many discouraging e r r o r s , no true intro duction to the m a t e r i a l , and i t is almost impossible to properly associate much of the w r i t t e n texts with the t a b l e s , diagrams and drawings scattered throughout Oahspe. To become u s e f u l , it is now necessary to extract and separate this m a t e r i a l and display i t in such form that it is i n t e l l i g i b l e and can be compared w i t h i l l u s t rations, without the necessity of skipping back and forth, peering at some tiny and i n d i s t i n c t symbol or i l l u s t r a t i o n . In this regard Saphah is a true miracle in that so much data came through to us in such a condensed form. This only becomes obvious when one attempts to r e o r g a n i z e i t and watches the stack of papers grow. Placing it in usable form requires l i t t l e more than simple d i g g i n g , and very boring d e t a i l w o r k . But it is important to recognize that i f a stone t a b l e t were to be discovered showing the exact symbols depicted on the T a b l e t o f S e ' m o i n , i t would do l i t t l e good for the key to exist in some obscure book titled " O a h s p e " . Therefore it is e s s e n t i a l that work b e g i n , and there is cert ainly room for as many as are i n t e r e s t e d . No matter that we come up with a thousand d i f f e r e n t formats. What is important is that the material becomes known and a v a i l a b l e . One other very beneficial result w i l l also o c c u r , t h a t being that others like m e , who may also lack a talent for languages, will find the material rubbing o f f in some of the strangest w a y s , with answers arriving from d i r e c t i o n s ever a n t i c i p a t e d . In any e v e n t , you w i l l quickly become an expert and the reorganization required c a l l s m o s t l y for simple t ab u l a t i o n , and a d i f f e r e n t p r e s e n t a t i o n of the m a t e r i a l that is already a v a i l able. A l s o , once your feet are w e t , you are in for some s u r p r i s e s ! -I grave problem is the number of generations in the printing process. I suspect that the o r i g i n a l 1882 E d i t i o n would probably reveal many of the intricate s y mb o l s in s t a r t l i n g d e t a i l s as compared w i t h the Palmer 1882 reproduction, the Wing Anderson blue cover e d i t i o n s and the reduced size E n g l i s h issue o f the 1891 E d i t i o n . I am attempting to say that an o r i g i n a l 1882 E d i t i o n would be far the b e s t i n s t r u ment to u s e . But even it could not r i v a l the o r i g i n a l work sheets from which it was m a d e , each subsequent c o p y / p r i n t i n g process causing greater degradation of the images. And so for those who have the i n c l i n a t i o n to work on t h i s p r o j e c t , a hand on your s h o u l d e r from the other side w i l l p r o v e e s s e n t i a l . Rest assured it w i l l be there i f you become s e r i o u s l y i n v o l v e d . /.� ct. Harry � Hilton Shalimar, Florida February 1984  - SAPHAH FOR MORTALS - Introduction Having always considered myself totally incompetent in learn inf foreign l a n g u a g e s , i t is curious that I should find m y s e l f in volved w i th the Book o f S a p h ah . I n f a c t , I now find m y s e l f some what d r i v e n t o attempt to make some sense out of what I have long considered as an almost senseless p r e s e n t a t i o n . My sudden unexpected i n t e r e s t i s i n e x p l i c a b l e and it was only a f t e r answering the command and making a s t a r t at it that I b e g a n to a p p r e c i a t e the w e a l t h o f i n f o r m a t i o n that had been jammed i n t o t h i s book in the most terse and abbreviated form in order to bring it into the hands of mortals. That task was accomplished and it is now up to us to r e o r g a n i z e the material and place it in usable form. I imagine that others, like m y s e l f , believe that it all makes perfect sense to those who have a natural talent for l a n g u a g e s , ancient r i t u a l s and c u l t u r e s . But having gotten i n v o l v e d , I now doubt t h i s as there are so many d i s c o u r a g i n g e r r o r s , no true intro duction to the m a t e r i a l , and it is almost impossible to properly associate much of the written texts with the tables, diagrams and drawings s c a t t e r e d throughout O ah s p e . To become u s e f u l , it is now necessary to e x t r a c t and s e p a r a t e this m a t e r i a l and d i s p l a y i t in such form that it is intelligible and can be compared with i l l u s t r a t i o n s , without the necessity of skipping back and forth, peering at some t i n y and i n d i s t i n c t symbol or i l l u s t r a t i o n . I n this r e g a r d Saphah i s a true m i r a c l e in that so much data came through to us in such a c o n d e n s e d f o r m . T h i s only becomes obvious when one attempts to reorganize it and watches the stack of papers grow. P l a c i n g i t in u s ab l e form r e q u i r e s l i t t l e m o r e t h a n s i m p l e d i g g i n g , and v e r y b o r i n g d e t a i l w o rk . But it is important to r e c o g n i z e that i f a stone t a b l e t were to be d i s c o v e r e d s h o w i n g the the e x a c t s y m b o l s d e p i c t e d o n T a b l e t o f S e ' m o i n , i t w o u l d do l i t t l e good for the key to exist in some obscure book t i t l e d " O a h s p e " . T h e r e f o r e it is e s s e n t i a l that work b e g i n , and there i s c e r t a i n l y room for as many as are i n t e r e s t e d . No matter that we come up with a thousand d i f f e r e n t f o r m a t s . What is important is that the material becomes known and a v a i l a b l e . One other very beneficial r e s u l t w i l l also o c c u r , that b e i n g that others like m e , who may also lack a talent for languages, w i l l find the material rubbing o f f in some of the s t r a n g e s t w a y s , w i t h a n s w e r s a r r i v i n g from d i r e c t i o n s never a n t i c i p a t e d . In any e v e n t , you w i l l q u i c k l y become an e x p e r t and the reorganization required c a l l s mostly for simple tabulation, and a d i f f e r e n t presentation o f the m a t e r i a l that i s already a v a i l a b l e . A l s o , once your feet are w e t , you are in for some s u r p r i s e s ! -1- Returning for a moment to things s t i c k i n g by the mere act o f working long and hard at some routine t a s k , I cannot help but pass along a g i f t that I p e r s o n a l l y received in my b r i e f forays into Saphah. Some of us and perhaps all of us at times have doubts creep in as regards our f a i t h . Like o th e r s , I have periodic nagging doubts about the spiritual origin of Oahspe and of course I know of no physical proofs that can ever be s a t i s f a c t o r i l y presented, because such p r o o f s , even p h y s i c a l or m a t e r i a l m i r a c l e s never fully satisfy a person. Their effects also fade with t i m e . A h , but spiritual p r o o f s , they are something e l s e a g a i n ! They are unshak a b l e , reaching the very core of an i n d i v i d u a l . Saphah has done that to me on numerous o c c a s i o n s ! Lodged in among the words and t h e i r meanings in ancient tongues there would be words used only once or twice in a l l of Oahspe. Does anyone see that these tiny and seem ingly insignificant items would be impossible for a w r i t e r , a m o r t a l , to intentionally bury for the reader to f i n d . The number of threads that would have to be brought t o g e th e r , with i n t e n t , d e f y the o d d s . And the manner in which some of them have come together struck me like tiny miracles intended just for m e ! Oahspe is full of those gems, and the manner in which they do come together from time to time d e f i e s and eliminates any p o s s i b i l i t y of human f r a u d . Each individual who dips into Oahspe brings w i t h them t h e i r own senses and background e x p e r i e n c e s , and this leads to as many d i f f e r ent responses as there are r e s e a r c h e r s . In t h i s I am no e x c e p t i o n , and in the study of the Book of S a ph a h , my senses have been a s s a i l e d by a series of negatives as w e l l as positives, and I wildly oscill ate between doubts and increased faith in its spiritual authenticity. But at least my i n t e r e s t has seldom wavered over some 37 y e a r s . W i t h this in mind I w i l l mention a few thought provoking i t e m s , which each reader may consider or i g n o r . Many of the symbols found on these e a r l y T a b l e t s from the Continent of Pan ( W h a g a ) , are very p r o g r e s s i v e and i n d i c a t e a v e r y high l e v e l o f s o c i a l o r g a n i z a t i o n and group a c t i o n , and the v e r y con cepts presented would not have been p o s s i b l e w i t h o u t a h i gh l y devel oped c i v i l i z a t i o n ; which in turn r e q u i r e s a c o p� l e x social s t r u c t u r e . For instance; the p u l l e y , w i n c h , c a p s t a n , l e v e l , c a r p e n t e r s s q u a r e , t r i a n g l e , wedge, screw, l e v e r , t r o w e l , inclined p l a n e , block and t a c k l e , ax , and many other d e v i c e s indicate a v e r y advanced c i v i l i z a t i o n . Although the concepts for these devices are themselves ext remely s i m p l e , the technology i n v o l v e d in the c o n s t r u c t i o n and success ful employment is p r o o f o f a very complex s o c i e t y . For i n s t a n c e ; the use of a block and tackle requires p u l l e y s o f great s t r e n g t h , which almost c e r t a i n l y required durable metals and very long lengths of ex tremely strong cables or r o p e s . The d e s i g n , though s i m p l e , r e q u i r e s a complex o r g a n i z a t i o n to produce the s p e c i f i c p l a n t s that w i l l y i e l d the fibers necessary for rope manufacture ( P l a n t i n g , f e r t i l i z i n g , i r r i gat ion, harvesting, fiber extraction weaving, e t c ) . The manufacture -2 of pulleys capable of supporting very heavy loads requires complex sh a f t s , housing that employ m e t a l s , and this in turn indicates a mining, r e f i n i n g , foundry, and machining c a p a b i l i t y . In some ways the levels of the society required by some of the symbols is almost too advanced for me to a c c e p t . Then, to top it off there is the matter o f Diamonds. Although a diamond in the rough gives no evidence o f i t s final p o t e n t i a l , they were not only known, but they were recognized for their beauty and extreme hardness. The polishing of a diamond, regardless of s i z e , 1S not a simple matter due to the extreme hardness, and the p o l i s h i n g process alone would y i e l d only what appears as a b i t of polished g l a s s . For a gem to appear in a l l of i t s b r i l l i a n c e , requires machine or hand grinding of precise facets under very exacting c o n d i t i o n s . Mind y o u , I do not say that it cannot be accomplished by skilled a r t e s i a n s , but rather that i t is a v e r y w o r l d l y and p r o f i t oriented bus i n e s s , demanding or r e q u i r i n g a commercial structure from the mining to the final d i s p l a y o f w a r e s . I t indicates a structure o f w e a l t h and a f f l u e n c e ! Even when p o l i sh e d , a diamond would have to be set or mounted, as it is almost impossible to d r i l l such m a t e r i a l s , and any such s e t t i n g requires the working of m e t a l s , which again demands a high degree o f development to m i n e , p u r i f y and shape the noble or precious metals involved. Perhaps here we have something s i m i l a r to the saying "that a l l work and no p l a y , makes Jack a very dull b o y " . This being true for those on a s p i r i t u a l path a l s o . to explain t h i s , I tend to now take the view that the p a i r of opposites are essential to the spiritual development, and that such probably cannot occur i f one is raised in an absolutely s t e r i l e e n v i r o n m e n t , or in s p i r i t u a l surroundings a l o n e . A balanced and t r u l y spiritual advancement depends on exposure n o t only to the s p i r i t u a l , but also the w o r l d l y ( S i n ? That is a word so bent out o f shape that i t is now t o t a l l y m i s u n d e r s t o o d ) . I summarize by s t a t i n g that some of the concepts found in the book o f Saphah do pique my i m a g i n a t i o n , and I have had far too many personal " e x p e r i e n c e s " , and far too many strange threads have been brought together for me to even consider human fraud as b e i n g at the root o f O a h s p e . But ome o f the concepts found in "Saphah" are also a l i t t l e too advanced for my l i k i n g . I seem to be ensnared in a trap o f my own m a k i n g ! In any event, I continue to t e s t the temperature o f the water before thrusting my hand into i t ! - 3 PART I - SAPHAH FOR MORTALS -- - Tablet of Se'moin . The Tablet of S e ' m o i n is found as one of the very first T a b l e t s in The Book of Saphah, and is presented as m a n ' s very f i r s t written language introduced some 7 O , O O O years B . K . during the Heavenly reign of the God Sethantes, Arc of Wan, during the S e ' m u a n A g e . . As m a n ' s first written language, it thus appeared on the Cont inent of Pan ( Wh a g a ) , and to some degree it appears to a f f e c t , be concerned w i t h , or has influenced all subsequent languages. As one attempts to unravel the material contained in The Book of S a ph ah , it becomes apparent that the Tablet of S e ' m o i n , and the e x p l a n a t i o n for its s y mb o l s , is the most complete and thoroughly explained of all of the t a b l e t s . In fact, many explanations for other tablets refer one back to S e ' m o i n for an e x p l a n a t i o n . It is apparent that this tablet was widely u s e d , as many o f the symbols have the same meanings among the many I ' h i n tribes on P a n . But some other tribes had symbols with meanings only to them, hence the other special tablets. On the next sheet the Tablet of S e ' m o i n is presented in its e n t i r e t y , and that is followed by a d e t a i l e d breakout of each symbol with its a s s o c i a t e d t e x t . Some s y m b o l s ; such as compass d i r e c t i o n s , are o b v i o u s l y in e r r o r , the e x p l a n a t i o n having no r e l a t i o n to N o r th , E a s t , South and W e s t . Other symbols are somewhat c o n f l i c t i n g and may be in e r r o r . All should be treated at l e a s t w i t h caution due to the manner that they came across the s p i r i t g a p . The Tablet and explanations now f o l l o w : -A 1 0 9 e @ @ e II AK OL �k &sak Cayo eiA cod clbUA sasa it 22 12 69 @ @ @ @ @ & 23 56t3%%6@bi~ 33 $amt pd July 8arjl au Dsam ul de 3Jae'la hng 34 @ 0 @ @ 6 @ @ 6 6 @ @ 44 45 355s5673%%% $5 5% 5%6%763/5� 66 / u7 @#%66'sire 77 f 78 g 9 @ @ @ 86 $'%@75@i%'%7z@& 9 8 I0o 5%6%% 74#'#es; ho � 't e, ~ . y l 5s7 # 7t h2l Sa w'gar t.le ge 3sske Se {yi kc jad S's Ceud - TABLET OF S E ' MO IN Ma n ' s f i r s t w r i t t e n l u n g u e g e , Brought into being for the I ' h i n s , d u r i n g the reign of the God S e t h a n t e s , Arc of Wen, a p p r o x i m a t e l y 70,00O years ago d u r i n g the Se'muan age, Numbering b e g i n s at the top l e f t , moving to the right through the c o m p l e t e l i n e . Numbers have been i n c l u d e d to a s s i s t in l o c a t i n g a s p e c i f i c s ym b o l , -B  TABLET OF SE ' MO I N F i r s t Written Symbols 1 A h , the E a r th ( P a n i c ) . P a n , d a , s a , the g r o u n d ; the foundation ( P a n i c ) . N ' a h ( P o i t ) . Ihah ( K I D ) . ) Pan ( I 2 ) . Sas and ' A s a ( z a n ) . Edama ( F o n e c e ) . Adama ( E b r a ) . R d ' h a n ( V e d e ) . B u ' h a ( S a n s c r i t ) . The f i r s t name a p p l i e d to E a r t h ; a s a man look ing forth s a i t h , A h ! H a ' d ' n ( C h i n e ) . wh ' a h W r i tt e n w i t h a s t r a i gh t l i n e h o r i z o n t a l . (Algonquin). 2 Oh! The S k y , the canopy over ( P a n ) . Ch'ah ( K i i ) . O'shak (Fonece). d'yo (Vede). N'yo ( A l g o n q u i n ) . As a man would e x c l a i m looking u p w a r d . The vault above the E a r t h . 3 E s k , Earth and S k y , third c o mb i n a t i o n . One corporeal world and i t s canopy ( P a n i c ) . c ( P o i t ) . E x ( F o n e c e ) . Ska ( A l g o n q u i n ) . I'dek The near world . 4 E s a k , the Kosmos. The a l l w o r l d , s u n , moon, E a r t h , S t a r s and a l l the s k i e s ( P a n i c ) . Erk (Hiut). Erat ( F o n e c e ) . Eret ( E b r a ) . Ad (Earth). Oh ' m ( s k i e s ) , ( P o i t ) . J a ' s ak ( V e d e ) . the fourth c o mb i n a t i o n . Beyond measure. Jagat (Sanscrit). A'sah (China). 5 E a ' y o , from below f o r e v e r , from upward f o r e v e r (Panic). E'do (Bakie). M'yo (China). She'go (Algonquin). U ' d o (Vede. Udoche ( S a n s c r i t ) . Upward, downward forever. None can measure the e x t e n t. 6 H o i , the p e n e t r a b l e and i m p e n e t r a b l e ; the C r e a t o r and the Uz ( P a n i c ) . Joy or woe ( G a u ) . Oi (zerl). Yoih ( V e d e ) . A ray of sunlight is H o i ; i t can heal or p o i s o n . U z h o i , poison ( V e d e ) . G i t ' h o i , good healing ( C h i n a ) . A n g ' h o i , medicine man ( A l g o n q u i n ) . 7 - Druh or druk or d r u g . T h a t leadeth to d e s t r u c t (Vede). i o n ; the four c o r n e r s o f the w o r l d , N o r t h - e a s t , south-east, North-west, South-west. The temple is cred to the S o u th , N o r t h , E a s t and W e s t . The serpents and devouring b e a s t s came to the arena from druh ( P a n i c ) . Cross purposes, Cruv A s e r p e n t - l i k e e v i l , d r u hk , e v i l s p i r i t ( V e d e ) . D r u j , e v i l -I  -- destroyer ( P o i t ) . Druja, sign of death ( C h a n n i c ) , cross bones; danger ) from unseen s p i r i t s , an X ex or drux. Ug or Ugh ( A l g o n q u i n ) , ugly J ( E n g l i s h ) , at crosses, a n g u l a r . the four corners of the world are good; but the four corners are e v i l . ) 8 E o i h , the unseen power, Creator ( P a n i c ) . Before ) man c o u l d comprehend the A l l S p i r i t he was taught the w i n d , the A l l Unseen, and to c a l l it E -- 0 - I h ! The emblem o f the boundless and of l i f e . 9 T E l o i h , synonymous with E - O - I h , the C r e a t o r , the person who moveth the w i n d . The A l l s o u l . the AIL S e l f . the Second S e l f , more subtle than the wind. I t is the circumference of a l l ; it extend eth from left to r i g h t , and from below u p w a r d . Ihe motions of the hand and arm in o r a t o r y . The hand and arm speak H i s name. I t is the secret sign. I t holdeth the emblem o f l i f e (Panic & G a u ) . E-Go-Quin (Algon q u i n ) , Je-o-es ( C h i n a ) , Je-o-veh ( F o n e c e ) , Jehova ( � b r a ) , Ge-o-zih ( H i n t ) , Z i ' o ( V e d e ) . The soul of a l l . As the emblem is the l i v i n g wheel, I swear by i t . L e t my accusers say I have not the H o l y G i f t s . They shall bind me on the w h e e l . The GREAT S P I R I T w i l l release m e . Let the wheel of My name be by the roadside that he who passeth may turn i t in remembrance o f the I AM. t h i s s h a l l be a prayer trom the unlearned, and I w i l l hear tnem. ( Z a r a t h u s t r a ) . 10 S u s a , the complete. Without e v i l the A l l World would be i n c o m p l e t e ; spirit of C o r p o r ; s p i r i t o f Es (Panic). Soo'a (china). Lu'la ( H i t ) . Hiss-tu-oh ( F o n e c e ) . The wheel hath both good and e v i l . I t hath the l e a f o f l i f e . The p r i e s t --. S h a l l be proved on the w h e e l . I f he be r e l e a s e d , he i s h o l y . I f he be not r e l e a s e d , he is unholy and s h a l l p e r i s h . Though an evil man die by the wh e e l , i t is not bad for h i m . Only the man t h a t loveth Jehovih feareth not to have the wheel r o l l over him. Druk-a-naw ( V e d e ) . Druj-iy-ho-gan (Semak. Jaugernacht (English) S u ' s a , living death ( C h i n e ) . 11 Druk ( P a n i c ) , earth e v i l s . Poisons, plagues. Rosh ( F o n e c e ) , snake p o i s o n . Poison lurketh on the e a r t h . Ruks ( A l g o n q u i n ) . Also ( K i i ) . R u t s , the time of females ( E b r a ) . W h e n the signs are down, be p a t i e n t . U s k , the outer covering i s 7 l l e v i l . Husk ( E n g l i sh ) . All flesh is Druk ( e v i l ) . Hoey'e (Chine). -2  Gan ( P a n i c ) . Ghan ( c h i n e ) . E g a n , mankind ( C h i n e ) . Edam and Edan ( F o n e c e ) . Adam ( E b r a ) . ) Puam ( s a n s c r i t ) . Pam ( V e d e ) . sam, speak i' + animal ( K i i ) . samuel, prophet ( E b r a ) . Gang, r i c h land-owner ( c h i n e ) . And ( A l g o n q u i n ) . Anger ( P o i t ) , O n g ' e e ( K i 1 ) . Man ( E n g l i s h ) . U h - g a , the test ( P a n i c ) . I f t h e Es release him then i s he our true p r o p h e t . He hath sworn DY the wheel; he s h a l l be t r i e d . An o a t h ; to Du k ' a h swear by the A l l I Am. Ish'ga (Chine). ( P o i t ) . E h ' l a (fonece). Alah ( E b r a ) . I s c h ' b u ' a h , pledging by ( H e b r e w ) . U k ' g a k ( l g o n q u i n ) . He shall be proved on the c r o s s , the d r u h , and he dieth n o t . Let him swear on His name that he hath pro fessed. I f he be a false prophet he w i l l fear U h ' g a ( T e s t ) . False p r o ph e t s ' bones hang on the druh, the c r o s s . The true are release by E o l i n . Uh , evil s p i r i t ( P a n i c ) . Yuuh ( P o i t ) . Kuuh (Fonece). Kuach ( E b r a ) . The e v i l that i s above u s . Y u ' g i ( C h i n e ) , evil s p i r i t s who love e v i l . Zi-uhk ( V e d e ) . Useh ( K i i ) . Huuh ( A l gonquin). Fome, wind ( P a n i c ) . Foam ( C h i n e ) . Ome'eri (Algonquin). F v i l w i n d , Ruak ( E b r a ) . That that speaketh w i t h o u t l i p s , fume ( V e d e ) . He fumes, Orne ( K u ) . Yote'a (Panic). Water. Vote'i (Kii). Vo'ti and V a ' t i and V a ' r s ( V e d e ) . G a ' t a w and G o t a ' w e r i , morning water ( A l g o n q u i n ) . Yot'Yaw (Huit). Hoy'ah (Fonece). Hoy'am (Ebra). Dang, light ( P a n i c ) . H'dan (Kii). Orang (fonece). Orah ( 6 b r a ) . Ang'ji (Chine). Ong ( A l g o n q u i n ) , _ s p i r i t u a l l i gh t . Ang'ni (Vede). Ag n i , f i r e l i gh t ( S a n s c r i t ) . Y o n g. day-light (Hebrew). ' - 3 ( l ' Ha', dark (Panic). Ha r k (Chine), Pa'h (Poit). H'ark (Kii). Kah (Fus). Kasha' (Fonece). Chasah ( A l g o n qu i n ) . Kaha'k (Ebra). 0'Yak ( V e de ) . Spiritual darkenss. Of the Earth, g r o un d . Cond itions during a'ji. Sa , the cross-bones. The sign of an evil man that died in evil (panic). The evil cross, the English letter X. He was bound on the wh e e l , and perished. There was no All Holy in h i m . Let this mark be branded on his forehead, that a l l men may know he i s a falso prophet. He rotted " o n the wh e e l , S a ' h ( V e d e ) . Sahan ( f u s ) . Let this be a sign of evil s p i r i t s . h e ' s a ( A l g o n q u i n ) . Sa ( � b r a ) . S a ' d , t o wither ( S a n s c r i t . T h i s s h a l l be the sign o f w a r . I t shall be on the banners of the righteous. they shall go forth s h o u t i n g , I s a ' b ! ( E b r a ) . D i e , Sa ( C h i n e ) . Death, Sa ( K i 1 ) . Let us perish for r i gh t eousness' sake rather thu do e v i l . "Abraham". Su, an e n l i g h t e n e d m a n ; a l s o ugh ( P a n i c ) . Su ( C h i n e ) . With the g i f t o f prophecy, S u ' s ( � b r a ) . I proclaim in the name o f E l o i h , s o o ! ( K i i ) . Shu ( A l g o n q u i n ) . He would not k i l l a worm, Cheo ( V e d e ) . He standeth b e t w i x t us and the A l l L i g h t ; T ' s u ( G a u ) . S u ' c h i , preceiving by the unseen ( S a n s c r i t ) . tI i n t e r i o r b r i g h t , s o o ( F u s ) . One ' w h o cannot s i n , Su ( O n i a ) . the p u r i f i e d Son, Ok e , a house ( P a n i c ) . Oak ( C h i n e ) . Okel (Fonece ) ohel ( E b r a ) . Oik ( K i i ) . Hoik ( G a u ) . Oikon (Hellic). Croke ( V ) e d e . Koik (Aribanya). Oikos ( G r e e k ) . Teach my people to have homes ( O k e ) ; the migrant is an abonimat ion to the A l l eye (Aham). H i s s , s e r p e n t ' s word. He maketh noise l i k e the w i n d . Who can d i s t i n g u i s h between the voice o f E o l i n and the hiss t h a t k i l l s ? F r om t h e two e v i l cornet above, the h i s s de:cendeth. H i s food i s l of the E a r t h . that that tempteth to the Earth i s H i s s . The h i s s that c r a w l e t h have I made as an ' e m b l e m uf the hiss. that teacheth (Cont inued) l j  lust (chine). lees ( A l g o n q u i n ) . Cvees ( V e d e ) . The () Sugb i f treacgerm i f o i u s i b yb s e e b , A danger t h a t man cannot h e a l . l i r s t I made p o i s o n a i r ; from th a t I made poisonous w e e d s , and from them I made h i s s ; to crawl on his b e l l y commanded I h i m . The lowest made I h i m ; he biteth h i m s e l f and d i e th t h e r e f r o m . "Abraham". the sum o f e v i l i s to be i t s own d e s t r o y e r . "Confucius." 23 S a m ' t u , triangle ( P a n i c ) . The sign of C o 1 p o r , Es and E o l i n . Also the S o u l l i g h t , E o l i n , the Corpor l i g h t , the S u n , and the b u r n i n g f l am e . A l s o an instrument for m e a s u r i n g . 24 Fui, a square, a box. A sign of righteousness (Panic). J Sui ( C h i n e ) . T u ' f o n g or S a m ' fong ( P a n i c ) , a ) measure w i t h two l e n g t h s and one a n g l e , Y u ' o n (Vede). G u z , h y p o t h e n u s e , a l i n e from the top o f an u p r i gh t to a d i s t a n c e from the base o f the up right. guys ( P a n i c ) . the mean between u p r i g h t and h o r i z o n t a l . gui ( K i i ) . Zy ( V e d o ) . the man who i s not u p r i gh t and y e t n o t a l l e v i l . The mean b e t w i x t Su and H i s s , Kur ( A l g o n q u i n ) . Zhe ( C h i n e ) . Dji ( H u i ' ) . Al men are D j i . An angle of support, a s i g n , a l i n e , a rope. S a r j i , s a r g u z , a pyramid ( P a n i c ) . My s i d e s g u y , but I am the c e n t r e s h a f t . The temple was b u i l t e a s t and w e s t and n o r t h and s o u t h , and the four corners representing food a t u e v i l were square w i t h the w o r l d . The sacred house of E o l i n , " Bar'ji (Fonee). Bar'nah (Ebra). Gaw'hi (AI gonquin). Vah;hy (Vede). A building with chambers for s p i r i t communion. - '  TABLET OF S E ' MO I N 28 G a u , a measuring i n s t r u m e n t ; a plumb and level combined. Gau s a i d : They gave my base l e v e l , and the sights on the angle o f the plumbline were level a l s o , and in the d i s t a n c e o f Tek Gos (about 20 m i l e s ) discovered the rounded E a r t h . By the au was the Earth proven to be a g l o b e . By Gau have I revealed ( V e d e ) . A proven prob lem. An e x a c t . G a u , a geometrical language. Language is o f two parts, the proven i s G a u , the unproven is M ' g a u . a sacred instrument that cannot e r r . My sered temples shall be b u i l t by G a u . D a u ' s i n ( C h i n e ) , p l u mb - l i n e . A n n ' a k ( F o n e c e ) , a p l u mb - l i n e . A G a u ' y i shall be placed by the a l t a r . by the sign G a u ' i shall mun learn a l l things ( V e d e ) . I t shall be the symbol o f p r o u i . Be p a t i e n t that your e i g h t may not e r r , s a i t h Gau. A h m ' a k ( F h r a ) . A plumb l i n e . 29 K ' S a m , tripod ( p a n i c ) . Symbol of e a r t h , water and a i r . My three are o n e ; without these three n o t h i n g can be born into l i f e . K a ' S a m ( C h i n e ) . Y a ' S a i s ( V e d e ) . Y o ' h a m ( A l g o n q u i n ) . The stool of the prophet. Only on the tripod shall the oracle proclaim. ( A h a m ) . The origin o f the term Aham, the lan age o f o r a c l e s . A language w i t h two or three m e a n i n g s . sacred language o f A r i b a n i a . 30. P h , to ; ' l , a cap-stone ( p a n i c ) . The stones of the temple s h a l l be drawn up w i t h a pu t u ( P o i t ) . Zuz ( V e d e ) . Uuh ( F o n e c e ) . Uhe ( a l g o n q i n ) . cap'stan (English). a rotating, barrel shaped device ( w i n c h ) for moving v e r y heavy items. 31 I ' c h e , trowel ( P a n i c ) . Chu ( C h i n e ) . Hi ' ch e , trowel or a x , or hatchet ( A q o n q u i n ) . Y i ' c h e ( V e d e ) . My hand is a wood hand. I make e v e n ; a n d I s h a l l be a sign by the t o o t o f A ' k i n . The temple is the work o f my hand, but who knoeth ' e hand of the Great s p i r i t . His hand i s over a l l . ( P e r a l ) . A lazy man s h a l l not have me fol a sign, saith I'cho ( K i i ) . t -6  j T u ' f a , a compass ( P a n i c ) . An instrument to measure c i r c l e s ; circumference without any part � of a square. o Inqua ( P a n i c ) . H i n ' K w a ( Z e r ) ) . E ' m ' w ak (Algon q u i n ) . A thing within a t h i n g . The Es that is o in C o r p o r , the soul that is in E s . Three with in o n e , Ma-nes-to ( A l g o n q u i n ) . The Earth with $ in the v o r t e x . E q u a , s w i f t f l y i n g , equation (English). Race-horse (Chine). J I ' s u ( P a n i c ) . I e s u , a young child that has not sinned. The true cross within Eloih. I ' e ' s u (Aham). Child prophet (Aham). Ye'loo ( K i i ) . My I ' s u shall have no f l e s h d e s i r e s . His love knoweth a l l men and women a l i k e . G e e ' s o o ' g a n (Chine). I e s u , one who is born s e x l e s s . U h ' s a , the e v i l cross ( P a n i c ) . The written sign o f S a . See S a . G i t , the moon ( P a n i c ) . g i t the moon ( C h i n e ) . The second l i g h t E g s ' g i t . She sendeth forth Egni ta ( A l g o n q u i n ) . G i t ' m a s , corporeal moon ( V e d e ) . E g ' n i t ( P o i t ) . Egnitero (Algonquin). The moon o f E - o - q u i n . G ' u i t ( K i i ) . G i t ' m ' g o w , the moon much receiving; the gentle moon she . ' sendeth forth the l i g h t , the Or ( E b r a ) . G i t ' o w , the Sun ( p a n i c ) . G i t ' h o w the sun ( c h i n e ) . the central l i gh t . L e t stand to the corporeal world as Jehovih standeth to the All U n s e e n . H e , the G i t o w shall be on the beam b e t w i x t the p i l l a r s as a symbol of My ( C o n t ' d ) -7 r I TABLET OF SEMOIN - Continued o we r , As he b r i n g e t h f o r t h g r a s s , so b r i n g I f o r t h the s o u l s of men, He sendoth forth K a r a g ' kv u , the A l l Heat, H a w ' g i t ( l g o n q u i n ) . Or the c o r p o r e a l s u n l i g h t ; i t ' f u me , the d r i v i n g ( # h a m ) . M ' L t ( K 1 1 ) . H o g ' g i t or git-hog (Aribania). Sang o r S a ' an g ( P an i c ) , s t a r s , The s m a l l shining thut sendeth forth the Ogistok, 1 � e . , the twinkle. inga ( a l gonquin). Song o r S e n g ' s o p e ( C h i n e ) . E n g ' h o , the twinkler, 1 . e . , Kolab (Fon ace). Hy ' a n g ( V e d e ) . The far-off wo r l d s , E s k ' uf ( P o 1 t ) . M'git (Punic). The p r o p h e t t ook t r i a n g l e s end l a i d them s e p a r a t e l y before the k i n g , O s s , und the p r o p h e t s a i d , E , - 0 , - I h ; E,-O,-Ih, twice, and straight way, the angles were i n t e r l o c k e d , and lo and b e h o l d , n o t h i n g had been b r o k e n , And O s s , the k i n g , s a i d 1 These sha ll be hung up in the t e m p l e as a testimony b e f o r e men t h a t the G re at S p i r i t i s w i t h my p e o p l e , H i s l i g h t s h a l l be my l i g h t . ( V e d e ) . G i t ' s ' a n g (Punic), sacred stur. Two t r i a n g l e s of d i f f e r e n t k i n d s of wood i n t e r l o c k e d without s e v e r i n g , by s p i r i t power ( U z ) . Let my p r o p h e t s p r o v e them s e l v e s by the s a c r e d s t u r , and they s h a l l s i t on the K ' S am and be o r a c l e s i n My kingdom, An e m b l e m of a m i r a c l e k e p t over the a l t a r . Also called Yoke'eng (Chine). Y o p ' am g ( A l g o n q u i n ) . Let him conjure the sacred star. A starlight evening. L e s s than moonlight, Ex ( P an i c ) . Two o r m o r e a g a i n s t e u c h other, collision, Life against death, o r sour aguinst sweet, o r bad against good, The s u p p o s e d o p p o s i t e s i n u l l things. �gs ( P o i t ) . Ege ( A l g o n q u i n ) . Ege ( K 1 1 ) . Egks ( F o n e c e ) . M ' g i t ' o w , m o r n i n g s u n r i s e ( P a n i c ) . Dawn. M ' g i t ' o w (Algonquin). Ti g i a t o w ( V e d e ) . At damn f l y away the e v i l s p i r i t s ; at dawn come the s h i n i n g f u l l o f h o l i n e s s (Kii). The w i s e man hath found G i t ' m ' ow f u l l o f c o w , 1 � e , , r e c e p t i v i t y , Tau, the b u l l , 1 . e , f o r c e -r t v i n . -8-  TABLET OF S E ' MO I N - Continued He maketh a book at d a mn . The seventh heaven cometh in M ' g i t ' o w , the @ morning light ( P o 1 t ) . � ----------------------------------1 � H i ' d a n g , high-noon ( P a n i c ) ; the sun at - n o o n , Let the H i ' d u n g be an emblem o v e r My a l t a r , He i s the g l o r y o f the day as i s the Great S p i r i t of the soul w o r l d , As ye bow before him do it i n remembrance o f d i m that ye see n o t , He - l e of My body and l i f e , and as much as ye g l o r i fy him, so w i l l I , Eo l i n , the C r e a t o r , g l o r i fy ye in the hea vens above ( G a u ) , S e e to i t that ye w o r s h i p not the c o r p o r e a l sun, but g l o r i f y y works i n remembrance o f Me , Keep this symbol covered, save on t he duye of s a c r i f i c e , l e s t your enemies accuse ye of worship ping corpor, (Chine). M ' h ak ( P a n i c ) . M ' h o c k , o r Mo ' o c k , o r Mowk ( A l g o n q u i n ) . O'Shak (Fonece)% K o s h e k o r c h o s e k o r S h a s h e c k o r Ch o s hek ( E b r a ) . N i g h t , d a r kn e s s . The time of the E s ' w i n c e r e m o n i e s , Let us me e t p r i v i l y on t h e m o u n t a i n - t o p in ) C h o s h o k ; the a n g e l s r e q u i r e i t of u s % Chosek (Hebrew). T a ' r e n ' z e v a g o n , in some K u w i c k , Not having mount a i n - t o p s t h e y met in T u ' r e v ' z e , the s w am p s , and had t h e E s ' w i n . Ta ' r e n ' z e w a g o n became u law for M ' h a k ( u t r i b e o f A l g o n q u i n ) . Wen tne drouth d e s t r o y e t h l e t the f a i t h fu l h o l d Narshaka on the m o un t a i n - t o p s , and the r u i n s w i l l I s e n d from heaven ( S a n s c r i t ) . Ah'shah (Kii). Work o r wark ( P u n i c ) . V o r t ex , w h i r l wind, Sark ( P o i t ) . Sa'ark (Gau). Ru ' a r k ( F o n e c e ) . Ruach S e a r a h ( H e b r e w ) . Yi'ah (Vede). W h o ' o hk ( A l g o n q u i n ) . Who s h e l l find the cause of work? I am at work c o n t i n u a l l y , As I have s e t -J t h e work, the w h i r l w i n d , before m e n ' s e y e s , so b e f o r e the h o s t o f the l o n g - r i s e n do I make and d i s s o l v e w o r l d s ( A h am ) . The Es l a b o r , work ( E n g l i s h ) l a b o r . The w h i r l w i n d is labor, per se, 1 � e � , without hands, V ' w o rk ( P a n i c ) . The s i g n o f Es st � labor. The make o f a c o r p o r e a l w o r l d , - e corporeal world within a whirlwind, - 9- f ....a.a.a � � 48 Y o t ' a n d ' d ' a n g , w a t e r , E a r th , air and e t h e r . (Panic). K a ' f o m ' j i ( P a n i c ) , e a r th , lower heaven and upper heaven. 49 Onk ( P a n i c ) . Sun belt o f the E a r t h . t h a t portion o f the E a r t h s u b j e c t to v e r t i c a l r a y s . O n k , d i r e c t . O w k , o s c i l l a t i n g . Onk gave I unto you that ye might behold the g l o r y o f s u mm e r , the fragrance of spring, the beauty of autumn and the snow of w i n t e r . Study the ant and the � � b e e ; they comprehend O n k . The l a z y man sh a l l � learn Onk ( P o i t ) . 0 Sed ( P a n i c ) , tl e sign A r i e s , o r , in E n g l i s h , the letter T . The sign o f wisdom; of gentleness. Sed, a lamb ( K i i ) . A m a n ' s nose and eyebrows. The man who winneth by l o v e , and g e n t l e n e s s . A ' s e d ( P o i t ) . Ahed ( F o n e c e ) . Aheb ( � b r a ) . Aheb ( H e b r e w ) . And Sed rose up on the t h i m day a f t e r the creation of the world and stood above the S u n . the Great S p i r i t , E - O - I h , s a i d : This is My s o n . the corporeal sun ye can behold at h i gh n o o n , b u t My Son Sed standeth above t h i s . A l l that are g e n t l e and good draweth he to My K i n g d o m , N i r v a n a . do not unto another what ye w o u l d n o t d e s i r . done unto y o u , or ye shall not behold My Son S e d , wto s t a n d e t h on My r i o h t h a n d . The E a r t h i s m i n e , s a i t h S e d ; by love w i l l I redeem i t . ay'sed (Vede). A sheep with a w o m a n ' s face; symbol r love. gently, or gentleness. Let or Leat ( V e d e ) . Sed ( A r i b a n i a ) . A name s i g n i f y ing g e n t l e n e s s and wisdom. W r i t t e n sign o f a lamb or o f the nose and eyebrows o f m a n . a symbol o f s t a t s a n d z o d i a c . Let t h i s be the season to b r i n g together m a l e and f e m a l e . they s h a l l go to the a l t a r and c o n s u l t the v o i c e s o f the s t a r s through My p r o p h e t s . whoever h a t h S e d in him returneth good for e v i l ( C h i n e ) . - 10  TABLET OF S E ' M O IN - Continued K ' g i t , nev moon ( P u n i c ) . Watch ye for 51 @ the new moon and g l o ri fy the Great � S p i r i t that He may p r o s p e r y e , K a ' g i t � ( Ch i n e ) . It shall be a holy d a y of @ r e s t , N o te 1 A "Nev Moon Ls t e c n i c a l l y � - i n v i s i b l e and a s l i v e r a p p e a r s a couple of d a y s . l a t e r % 'git (Pan1o). At the change of the second q u a rt e r of the moon l e the re l i e f vatch of My angels who [... excerpt truncated; full document held on file, contact an admin for the complete text ...]